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CHRISTIANVS QVARTVS DEI GRATIA DANIK, NORWEGIX,, 
| VANDALORVM GOTHORVMQVE REX}; DVX SCHLESVICI, HOLSATIA, 
_ STORMARIA. ET DITHMARSIA; COMES IN OLDENBORCH ET DELMENHORST, 


& Are. chetv-po “Petri _fachs s Matedtatis Regia pictoris foannes Maller seulp it. 


Cum fe cca nalt Priuleae Ordinum Foederatorum Belge. (ae 


JOANNES MULLER 
Christianus Quartus Dei Gratia, &c. 
(See No. 131) 


ILLUSTRATED CATALOGUE OF 
EARLY LINE ENGRAVINGS, MEZZOTINTS |. | 
AND EXAMPLES OF THE WORK OF : 
5S. ARLENT EDWARDS 
ieee ROPERTY OF MR. J.P. SABIN 


TO BE SOLD AT UNRESTRICTED PUBLIC SALE 


ON WEDNESDAY, MARCH 22np, 1916 


THE SALE TO BE CONDUCTED BY 
MR. THOMAS E. KIRBY AND HIS ASSISTANTS, OF LASSS50 
THE AMERICAN ART ASSOCIATION, MANAGERS 


NEW YORK CITY 


INTRODUCTORY NOTE BY MR. SABIN 


In this country when a dealer offers a part or even all of his stock 
of books or prints, in a manner other than by the usual method of a 
direct or indirect private sale, a suspicion ofttimes arises either as to 
the genuineness or honesty of his intentions or that he is endeavoring 
to rid himself—be it at a loss—of that which has long encumbered his 
shelves as unsalable or otherwise undesirable. 

Such suspicions unfortunately are sometimes well-founded and that 
they are well-founded must and does deter the dealer who honestly desires, 
and for good and sufficient reasons, to sell at public auction, from tak- 
ing the risks of doing so. When, however, a dealer has—as I believe I 
have—a reputation for honesty and fair dealing, and the manager of the 
public sale has a reputation of enforcing without fear or favor condi- 
tions of an absolute open sale without protection or reserve—as has the 
American Art Association—I am confident that the collectors and deal- 
ers will give support to a sale which places before them good material of 
interest and desirability. 

Among the items set forth in this catalogue and to be offered by 
the Association for me, are a number of fine early line engravings and 
extra quality mezzotints. These were purchased by me, when I was last 
in Europe, with the expectation of their being added to the private col- 
lection of a client who I found on my return did not then feel justified in 
enlarging his collection to include my purchases. 

In addition to these engravings and mezzotints, there are a number 
from the plates of S. Arlent Edwards. These are being offered by me 
because I believe that at the present time, there is a special interest in 
them, in that there are but few impressions to be found in the hands of 
the dealers, and Mr. Edwards, now being in Belgium, and having aban- 
doned his studio in Williamsbridge, New York, it will be with difficulty, 
that his work of any character can hereafter be had, and certainly most 
exceptional if there can otherwise be found any from plates of the char- 


acter included by me. 
Amongst the Edwards items are some unusual impressions of well- 


known subjects and proofs and engravers’ trial proofs of the scarce 
series of American portraits privately issued about 1900. ‘These trial 
proofs from private plates are the only unfinished proofs of Mr. Ed- 
wards’ plates in existence with the exception of those in the New York 
Public Library and those from plates engraved subsequent to 1918, and 
for the reason that Mr. Edwards, before abandoning his studio at Will- 
iamsbridge destroyed, by burning, every scrap of this nature except 
those from these private plates here offered, and the others referred to as 
having been by him presented to the New York Public Library. 

To the purchases made by me abroad for my client, and the impres- 
sions from Mr. Edwards’ plates, I have added a few deservedly popular 
modern etchings and color plates to the end that there may be a suf- 
ficient number of items to constitute a full evening’s sale. 

J. P. Sain. 
New York City, 
March Ist, 1916. 


Conditions of Sale 


1. Any bid which is merely a nominal or fractional advance may be rejected by 
the auctioneer, if, in his judgment, such bid would be likely to affect the sale in- 
juriously. 

2. The highest bidder shall be the buyer, and if any dispute arise between 
two or more bidders, the auctioneer shall either decide the same or put up for 
re-sale the lot so in dispute. 

3. Payment shall be made of all or such part of the purchase money as 
may be required, and the names and addresses of the purchasers shall be given 
immediately on the sale of every lot, in default of which the lot so purchased 
shall be immediately put up again and re-sold. 

Payment of that part of the purchase money not made at the time of sale, 
shall be made within ten days thereafter, in default of which the undersigned may 
either continue to hold the lots at the risk of the purchaser and take such action 
as may be necessary for the enforcement of the sale, or may at public or private 
sale, and without other than this notice, re-sell the lots for the benefit of such pur- 
chaser, and the deficiency (if any) arising from such re-sale, shall be a charge 
against such purchaser. 

4, Delivery of any purchase will be made only upon payment of the total 
amount due for all purchases at the sale. 

Deliveries will be made on sales days between the hours of 9 A. M. and 1 P. M., 
and on other days—except holidays—between the hours of 9 A. M. and 5 P. M. 

Delivery of any purchase will be made only at the American Art Galleries, or 
other place of sale, as the case may be, and only on presenting the bill of purchase. 

Delivery may be made, at the discretion of the Association, of any purchase 
during the session of the sale at which it was sold. 


5. Shipping, boxing or wrapping of purchases is a business in which the 
Association is in no wise engaged, and will not be performed by the Association 
for purchasers. The Association will, however, afford to purchasers every facility 
for employing at current and reasonable rates carriers and packers; doing so, how- 
ever, without any assumption of responsibility on its part for the acts and charges 
of the parties engaged for such service. 


6. Storage of any purchase shall be at the sole risk of the purchaser. ‘Title 
passes upon the fall of the auctioneer’s hammer, and thereafter, while the Asso- 
ciation will exercise due caution in caring for and delivering such purchase, it 
will not hold itself responsible if such purchase be lost, stolen, damaged or 
destroyed. 

Storage charges will be made upon all purchases not removed within ten days 
from the date of the sale thereof. 

7. Guarantee is not made either by the owner or the Association of the cor- 
rectness of the description, genuineness or authenticity of any lot, and no sale will 
be set aside on account of any incorrectness, error of cataloguing, or any imper- 
fection not noted. Every lot is on public exhibition one or more days prior to its 
sale, after which it is sold “as is” and without recourse. ; 

The Association exercises great care to catalogue every lot correctly, and will 
give consideration to the opinion of any trustworthy expert to the effect that any 
lot has been incorrectly catalogued, and, in its judgment, may either sell the 
lot as catalogued or make mention of the opinion of such expert, who thereby 
would become responsible for such damage as might result were his opinion with- 


out proper foundation. SPECIAL NOTICE 

Buying or bidding by the Association for responsible parties on orders trans- 
mitted to it by mail, telegraph or telephone, will be faithfully attended to without 
charge or commission. Any purchase so made will be subject to the above Condi- 
tions of Sale, which cannot in any manner be modified. The Association, however, 
in the event of making a purchase of a lot consisting of one or more books for a 
purchaser who has not, through himself or his agent, been present at the exhibition 
or sale, will permit such lot to be returned within ten days from the date of sale, 
and the purchase money will be returned, if the lot in any material manner differs 
from its catalogue description. 


Orders for execution by the Association should be written and given with 
such plainness as to leave no room for misunderstanding. Not only should the lot 
number be given, but also the title, and bids should be stated to be so much 
for the lot, and when the lot consists of one or more volumes of books or objects 
of art, the bid per volume or piece should also be stated. If the one transmitting 
the order is unknown to the Association, a deposit should be sent or reference 
submitted. Shipping directions should also be given. 

Priced copies of the catalogue of any sale, or any session thereof, will be 
furnished by the Association at a reasonable charge. 

AMERICAN ART ASSOCIATION, 
American Art Galleries, 
Madison Square South, 
New York City. 


AT THE AMERICAN ART GALLERIES 
MADISON SQUARE SOUTH, NEW YORK 


UNRESTRICTED PUBLIC SALE BY ORDER OF THE OWNER 


WEDNESDAY EVENING, MARCH 22nd, AT 8.30 O’CLOCK 


AMERICAN REVOLUTION 


AMERICAN REVOLUTION 
1. Cotonet Benepicr Arnotp WxHo ComMMANDED THE PRovIn- 
cIAL Troops at QueBec. Mezzotint. 
-O Published March 26, 1776, by Thomas Hart, London. 
3. Joh. Martin Will excudit. Aug. Vind. Wirn FuLi mar- 


a7 ! cins. Rare. Folio. 


PIERRE AVELINE 


French designer and engraver. Born, Paris, 1710; died, about 1760. 


AVELINE, PIERRE 
2. D’Apres LE Tasieau ORIGINAL DANS LE CABINET DE M. LE 
Comre pve Trsstn. Line-engraving. 
: (Game hanging on wall, with dog and gun). Oudry pinxt. 
4 P. Aveline sculp. 1740. Small folio. 


; 
ON 


FRANCESCO BARTOLOZZI 


Born, Florence, 1725; died, 1818. Reached the highest rank as an en- 
graver in many different methods. 


BARTOLOZZI, FRANCESCO 
3. Porrrait By L. Bourtiarp after P. Violet. Stipple engravy- 
ing. 
Oval in rectangle with allegory beneath. Proof before 
Va name of Bartolozzi. Folio; Porrrarr, W. Artaud pinxt- 
ae Pastorini and P. W. Tomkins sculp. Stipple. London, 
H. Mackin, 1803. Title in script. Folio. (2) 


QY 


~N 


Sale Wednesday Evening, March 22nd 


BARTOLOZZI, FRANCESCO 


4. Tur JupGMENT oF Paris. Stipple engraving. 
Printed in a brownish ink. Angelica Kauffmann pinxt. 
Pub. London, 1788, by S. Walker. Oval folio. 


BARTOLOZZI, FRANCESCO 
5. Tue SHEPHERDESS OF THE Atps—GrisELDA. Oval stipple — 
engravings. 
After Angelica Kauffmann; Pub. W. Dickinson, 1785. 
Scratch letter proofs. BriLLIANT IMPRESSIONS, WITH FULL 


MARGINS. 


From the Lord Northwick Collection. (2) 


BARTOLOZZI, FRANCESCO 
6. Saint Cecruia. Stipple engraving. 
After Cipriani. Pub. June 1, 1774. Britiiant EARLY 
impression. ‘Title in open letters. 


BARTOLOZZI, FRANCESCO 
7. CHarLoTtTe. Stipple engraving. 
After Bunbury. Circular in sepia. WITH FULL MARGINS. 
Good original impression. 


BARTOLOZZI, FRANCESCO 
8. THe Ricur Honovraste CuHaries, Eart Campen. Legal 
portrait. 
After Gainsborough. Impression in brownish ink. Folio. 


BARTOLOZZI, FRANCESCO 


9. Lamia. Stipple engraving. 
After Cipriani. Printed 1x cotors. ‘Title cut. Small 


f folio. Framed. 


Sale Wednesday Evening, March 22nd 


JACQUES FIRMIN BEAUVARLET 
French engraver. Born, 1731; died, 1793. 
BEAUVARLET, JACQUES FIRMIN 


10. Le Renpezvous Acréasie. Line-engraving. 


After Raoux. Bricuiant rmpression, cut close at top and 
/ sides. Folio. 
ue 


R. BROOKSHAW 


English mezzotint engraver. Born, 1736; went to Paris in 1772, where 
he met with great success. 


BROOKSHAW, R. 


11. Marie Anroretrte D’Avutricuer, &c.—Lovuis XVI., Ror pe 
FRANCE ET DE NAVARRE. 


a) Chaloner Smith does not mention this state. 
b, A Paris, Chez Esnants et Rapilly; R. Brookshaw fecit, 
24 1775. Very HANDSOME PaiR of mezzotints of historic in- 
G terest and unusual decorative value. (2) 


THOMAS BURKE 


Born, Dublin, 1749. One of the best of the English stipple engravers. 


BURKE, THOMAS 


12. Creopatra THrowine Hersetr at THE Freer or Avcustus. 
Stipple engraving. 
After Angelica Kauffmann. Circular scratch letter proof. 
BRILLIANT IMPRESSION WITH FULL MARGINS. 


‘7 From the Lord Northwick Collection. 


JAMES CALDWALL 


Born, 1789; died, 1780. Pupil of Sherwin. 


CALDWALL, JAMES 


13. Mrs. Sippons AND Her Son 1n THE TraGeEpy oF “ISABELLA”. 
Line-engraving. 


After W. Hamilton. Large folio. 


is 


Sale Wednesday Evening, March 22nd 


ANTOINE CARDON 


Born, Brussells, 1772; died, London, 1833. 


CARDON, ANTOINE 
14. Miss Duncan In THE CHaractTER oF “Letitia Harpy.” 
Stipple engraving. 
From a miniature by J. T. Barber. Oval. BrautiruLity 
PRINTED IN COLORS WITH MARGINS beyond the plate-mark. — 
Rare. Framed. 


CARDON, ANTOINE 


15. Tue Return From Courstne. Stipple engraving. 
After W. Hamilton. Colnaghi and Co., 1808. Deco- 


rative plate in perfect condition. Folio. 


ADOLPH CARON 


French engraver. 1779-1867. 


CARON, ADOLPH 
16. S. A. R. Mapame ta Ducuerssr pE Berry anp CHILDREN. 
Line-engraving. | 
After F. Gerard. Proor BEFORE ALL LETTERS IN PERFECT 
CONDITION. Folio. 


JUSTIN CHEVILLET 


Engraver. 1729-1790. Went to Paris where he became a pupil of J. G. 
Wille. 
CHEVILLET, JUSTIN 


17. La Sanré Porrez:—La Sanré Renpur. Line engravings. 


After Terberg. A patR OF PRINTS OF EXCEPTIONAL QUAL- 
ave (2) 


aire LACOBO Seotue regeet mutive Manis ex tiller ducum Lethecingie 
Htemmate progenita ter nughit Pemun Eancisco 2 it Gallia fecundum in 
Stone Conn: Lewor ex gue Lacosym maguie Britannic regent fufcepit : 
wolenr notens vio rater Scotos poteatiffine Born ren. ,Pofbremiut 
\ fe capta,victa expulfa,cum in Anghiam, wclut in portum Je 
im perfideunn.et wremonitatent Ez teaBeriin, regi poft 2 an, 
cagite truncate deupta Orthodox religion: annie deb 


Aarti STVART Heronarnn preflanufpna. ve Rehigopffina 


JEAN COUVAY 
Maria Stuart 
(See No. 19) 


ore 


Es 


Sale Wednesday Evening, March 22nd 


SAMUEL COUSINS 


One of the best mezzotinters of the early part of the nineteenth century. 


COUSINS, SAMUEL 
18. Miss Croker. Mezzotint. 


‘s After Sir Thomas Lawrence. London, 1828: M. Col- 
ae naghi. Small folio. 


46 
JHAN COUVAY 


French engraver. Born, Arles, 1622. 


COUVAY, JEAN 


19. Maria Stuart. Line portrait. 
With descriptive text. Margins cut at top and sides. 
VERY RARE AND INTERESTING PRINT. 


See Reproduction 
\\: ( P ) 


DANCKERT DANCKERTS 


Born, Antwerp, 1600. Son of Cornelis Danckerts. Surpasssed his father 
as an engraver. 


DANCKERTS, DANCKERT 


20. CuarLEs THE SEconp. Engraving. 


Portrait head and bust in oval surrounded with a wreath, 
Arms beneath and allegorical figures completing the plate. 
se Seventeenth century engraving. Large folio. 


JEAN DAULLE 


French engraver. Born, Abbeville, 1703; died, Paris, 1763. Ranks with 
the ablest artists of his time. 


DAULLE, JEAN 


21. Monsieur LE DaupuHin DE France. Line-engraving. 


S. Belle pinxt. Good impression with full margins. 


< 


Sale Wednesday Evening, March 22nd 


DAULLE, JEAN 
22. Jean Marretre, Graveur ET Lreraire. Line-engraving. 
Peint par Ant. Pesne in 1723. 


WILLEM JACOBSZ DELFF 


Engraver. Born, Delft, 1580; died there, 1688. Son-in-law of Michael - 
van Miereveldt. 


DELFF, WILLEM JACOBZ 


23. Gasparp DE Corieny, 1630. Line-engraving. 


D. Franken, No. 21. 

After M. J. Miereveld. Second state, with the year 
changed from 1630 to 1681. Franken suspects that there 
is only one state and that the “I” is always added by pen 
on and ink to the date as it is on this impression. On 
paper watermarked “Crowned shield with fleur-de-lis 
and below it the letters A. H.” Fixe Impression, with 
small margins. 


(See Reproduction) 


DELFF, WILLEM JACOBSZ 


24. Wiriiam Louis, Count or Nassau. 1633. Line-engraving. 


D. Franken, No. 50. 

After M. J. Miereveld. Only one state. On paper water- 
marked. “Crown shield with fleur-de-lis and below it the 
letters A. H.” Fixe Impression, with small margin. 


oA (See Reproduction) 


LOUIS A. B. DESNOYERS 


Born, Paris, 1779; died there, 1857. An eminent modern French en- 
graver. 


DESNOYERS, LOUIS A. B. 
25. La Finite Surprise—La Mere Trompfer. Line-engravings. 
Agreeable subjects. Both in excellent condition. (2) 


re 
PAIL? as 


DeLih bial OE List & 


fe ye : 
oa it 497 pee fpt 


Poe ce eae ae 


WILLEM JACOBSZ DELFF 
Gaspard De Coligny 
(See No. 23) 


Sale Wednesday Evening, March 22nd 


WILLIAM DICKINSON 


Born, 1746; died, 1823. One of the best mezzotint engravers. 


DICKINSON, WILLIAM 


26. Str THomas Bextx. Mezzotint. 
Chaloner Smith I. No. 7. 
BRILLIANT IMPRESSION BEFORE ALL LETTERS. Smith de- 


scribes the lettered state of this plate, but does not note 
a proof state. Folio. 


JOHN DIXON 


Born, Dublin, about 1740; died, London, 1780. 


DIXON, JOHN 


27. Tur Oracitr. Mezzotint. 


Chaloner Smith I. No. 38. 
Drawn and engraved by J. Dixon. Pub. March 30, 1774. 
LO An allegorial print of American interest wherein Time 
45 is showing Great Britain and America, by means of a 
a lantern, the vision of George III. &c. Britiianr Proor; 
0. ‘| | Also the Cory in line-engraving showing the above scene 
changed to the Tea-Tax Tempest. The only state. 

Rare. (2) 


PIERRE DREVET 


French engraver. Born, Loire, 1663; died, Paris, 1738. 


DREVET, PIERRE 


28. Nicotas Lampert. Line-engraving. 


Nicolas Largilliere pinxt. Folio. 


4 


at 


Sale Wednesday Evening, March 22nd 


NICOLAS DUFOUR 


French engraver. About 1760. 


DUFOUR, NICOLAS 
29. Le Bercer Constant. Line-engraving. 


Pient par Etienne Jeaurat. A _ Paris, 
Brituiant Iweression. Folio. 


DUFOUR, NICOLAS 


30. Le Garcon Jarpinier. Line-engraving. 


Chez Alimet. 


Peint par Etienne Jeaurat. Companion piece to the 


preceding. 


ROBERT DUNKARTON 


Eminent British mezzotint engraver. Born, London, 1744; died about 


1817. 


DUNKARTON, ROBERT 


31. JoHn Penn, Ese. FormMEerRLY THE PRINCIPAL PROPRIETOR WITH 
FEDAL RIGHT TO THE GOVERNMENT OF PENNSYLVANIA 


IN Norru America, &c. 
Chaloner Smith I. No. 32. 


Painted by Sir W. Beechy. Engraved by R. Dunkarton. 


A SPLENDID PROOF IN PERFECT CONDITION. 


Folio. 
(See Reproduction) 


GAINSBOROUGH DUPONT 


Nephew of Sir Thomas Gainsborough. Born, 1767; died, 1797. Engraved 


his famous uncle’s portraits. 


DUPONT, GAINSBOROUGH 


32. Grorce III., Kine or Great Britatn. Mezzotint. 


Chaloner Smith I. No. 6. 


After Gainsborough. First state BEFORE ALL LETTERS, 


folio. 


D with uncleaned lower margin. Supers piate. Large 


Scaseumune 
SESS ee 


» SReE 


o 
SXNUI. 


WILLEM JACOBSZ DELFF 
William Louis, Count of Nassau . 
See No. 24) 


] 


Sale Wednesday Evening, March 22nd 


RICHARD EARLOM 


Born, 1743; died, 1822. Pupil of Cipriani, and one of the best English 
mezzotinters. 


EARLOM, RICHARD 
33. Rev. Mr. Hanpury, Author of works on Gardening. Mezzo- 
tint. 


Chaloner Smith I. No. 2. 
Before the state described by Smith. RicH rmrpRession, 
in perfect condition and with lower margin uncleaned. 


EARLOM, RICHARD 


34. GrorcE III. anp His Faminy. Mezzotint. 
Chaloner Smith I. No. 15. 


. After Zoffany. A supeRB FIRST sTATE with good margins. 


JOHN ECKSTEIN 


American engraver who worked in Philadelphia, 1806-1825. Upon his 
arrival from abroad, Eckstein advertised himself as “formerly historical 
painter and statuary to the King of Prussia.” 


ECKSTEIN, JOHN 


35. Martin Lutruer, Natus 1483. Stipple and roulette en- 
graving. 


Holbein pinxit. Rarer. Large folio. 


GERARD EDELINCK 


Famous engraver. Born, Antwerp, 1640; died, Paris, 1707. Pupil of C. 
Galle, the Younger, and of Francois Poilly. 
EDELINCK, GERARD 


36. ApraHam Brormarrt—J. Cousin. Line-engraving. 


Robert Dumesnil, Nos. 155 and 174. 
After Drevet. Third state of both. Small folio. (2) 


Sale Wednesday Evening, March 22nd 


EDELINCK, CERARD 


37. Pirrre p—E Masca—JEANn DE LA QuintincE. Line-engravings. 
Ws Robert Dumesnil, Nos. 269 and 2386. 
Oval portraits with borders. Good impressions. (2) 


EDELINCK, GERARD 


38. Hyacinruus Ricaup Picror. Line-engraving. 
: Robert Dumesnil, No. 303. 
Y) Se ipse pinxit. With margins. Second state. Folio. 


EDELINCK, GERARD 
39. Grorcius Pautus pe Mautevrier Lancreron. Line-engray- 

ing. 
F. de la Mare filius pinx. Brittianr mpression. folio. 


NICOLAS EDELINCK 


Son of Gérard Edelinck.. Died, 1730. 


EDELINCK, NICOLAS 


40. Jean Francors Guintmaumon. Line-engraving. 


From life. With margins. Folio. 


S. ARLENT EDWARDS 


Contemporary mezotint engraver. Reintroduced color-printing in Amer- 
ica in 1900. Said to be the only artist who, himself, performs every step 
in the production and distribution of the colored print. Many engravers 
disdain to rock the mezzotint ground. Few print their plates with their 
own hands. Edwards does both, and it is owing to those two operations 
that his colored prints evidence such depth and transparency. His colors 
are not mixed in quantities and applied by a mechanical printer, but are 
blended by himself on the plate and he rocks each plate in a manner 
most suitable to his subject. 


EDWARDS, S. ARLENT 
v4 41. Mrs. Benwevu. Mezzotint. 


O Butler, No. 14. 


After Romney. Signed artist’s proof printed ry coLors. 
Framed. 


ee i ES a es i li 


ROBERT DUNKARTON 


incipal Proprietor, &c. 


the Pr 


Formerly 


ct 


Esq 


John Penn, 


. 31) 


No 


(See 


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Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 


42. Lany Hamruton as “Emma”. Mezzotint. 
( Butler, No. 24. 
ps aes After Romney. Signed artist’s proof. A VERY FINE 


IMPRESSION, with margins. Framed. 


EDWARDS, S. ARLENT 
43. Mona Lisa. Mezzotint. 


6. Butler, No. 36. 
% ; After Leonardo da Vinci. Signed artist’s proof In coL- 
V di hoe ors. ‘This impression was one of the best of the entire 


edition and belonged in Mr. Edwards’ own set. Fur 
marcins. Unframed. 


EDWARDS, S. ARLENT 


44. Mrs. Davenport. Mezzotint. 


LZ .. Butler, No. 39. 

2/ After Romney. This impression was printed from the 
€ at eG copper-plate before the steel-facing and bears Mr. Ed- 
aS wards’ note to that effect, as well as his usual signature. 

EDWARDS, S. ARLENT 
45. Duxe anp Ducuess or CumBERLAND. Mezzotint. 
. or Butler, No. 56. 
eth x Known as “The Morning Walk.” Signed artist’s proof 
| tw cotors. Framed. 
EDWARDS, S. ARLENT 
46. Anne or Creves. Mezzotint. 
Butler, No. 58. 
co Vv After Holbein. Special artist’s proof, signed, printed 1N 
i iia cotors on Japanese paper. Four of the edition of Anne 
i | of Cleves were printed on this paper which takes a very 


rich impression but is difficult to use. FuLL MARGINS. 


Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 


AY. Exvrra. Mezzotint. 
Butler, No. 59. 


Nh: x After Pierre della Francesca. Signed artist’s proof 
\\ printed 1x cotors. Framed. 


EDWARDS, S. ARLENT 
: 48. JutiaA MacDonaup. Mezzotint. 
J : Butler, No. 61. 


rey s( After Sir Thomas Lawrence. Signed artist’s proof, 
, printed 1x coLors. Framed. 


EDWARDS, S. ARLENT 


49. Lapny Muuerave. Mezzotint. 
Butler, No. 62. 


ha ie A : After Thomas Gainsborough. Signed artist’s proof, 
oW, a printed 1x cotors. Framed. 


EDWARDS, S. ARLENT 


ay: 50. Lapy Hamiztron as Nature. Mezzotint. 
oe ae ng "4 Butler, No. 64. 
a KS 5 After Romney. Signed artist’s proof, printed ty cotors. 
V INES Framed. 
J EDWARDS, S. ARLENT 


51. Wiii1am or Orance. Mezzotint. 
Butler, No. 65. 
4 After Van Dyck. Untaure proor from Mr. Edwards’ own 
ee collection. The only impression of any plate in which the 


artist has used a different color for the border. SpriEen- 
A) © | DID IMPRESSION. 
EDWARDS, S. ARLENT 
52. StmonEtra Vespucu. Mezzotint. 
Butler, No. 67. 


ae After Pollajualo. Signed proof, printed 1n coxors. 


S 


ARLENT EDWARD 


S 


jolais 


Beau 
(See No. 56) 


incess 


By 


Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 


53. ‘THE Youne Princess. Mezzotint. 
Butler, No. 68. 
XK After Netscher. Signed proof, printed rx cotors. Brit- 


‘ LIANT IMPRESSION WITH FULL MARGINS. 
hs oa 
EDWARDS, S. ARLENT 
54. Francis I. Mezzotint. 
oS Butler, No. 69. 
oe After Frangois Cluet. Signed proof, printed 1x cotors. 
x UniauE rvpression. From the artist’s own collection. 
EDWARDS, S. ARLENT 
55. A Lavy or Bruces. Mezzotint. 
Butler, No. 70. 
‘s K After Jan Van Eyck. Signed proof, printed ry conors. 
‘= Framed. 
5 
EDWARDS, S. ARLENT 
56. Princess Beausouats. Mezzotint. 
Butler, No. 71. 
V After Nattier. Signed proof. This impression was the 
first 1x cotors from the plate and differs slightly in the 
of hue of the dress from all the other prints. A very beau- 


ey) tiful print with margins beyond the plate-mark. With 
) of empire mat and framed. 


(See Reproduction) 


EDWARDS, S. ARLENT 


57. Martin Van NizeuwEenHove. Mezzotint. 
Butler, No. 72 
D After Hans Memling. Signed proof, printed ry cotors. 
~h x : Framed. 


ad 


Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 
58. Louise pe Bourson, DucueEsse pE Maine. Mezzotint. 
Butler, No. 74. 
After Mignard. Signed proof, printed my cotors. Se- 


~ lected impression, with ruLL MARGINS. 


EDWARDS, S. ARLENT 
59. Tue Parson’s Daucurer. Mezzotint. 
Butler, No. 75. 


After Romney. Signed proof, printed in cotors. With 
margins. Framed. 


EDWARDS, S. ARLENT 
60. Sister CatTHERINE. Mezzotint. 
Butler, No. 76. 
After Van der Wegelin. Signed proof, printed ry coLors. 


EDWARDS, 8S. ARLENT 
61. Lapy Dupcron. Mezzotint. 
A | Butler, No. 77. 


| After Thomas Gainsborough. Signed proof, ree IN 
p a COLORS. 


EDWARDS, S. ARLENT 


62. Lapy pE LA SpENcER. Mezzotint. 
Butler, No. 78. 


After Thomas Gainsborough. Signed proof, printed 1n 
cotors. Framed. 


EDWARDS, S. ARLENT 


63. Branca Marta Srorza. Mezzotint. 
Butler, No. 79. 


x After A. di Predis. Signed proof, printed In cotLors. 


With margins. 


oN 


‘ 


Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 
64. Mrs. Liuorp. Mezzotint. 


After Sir Joshua Reynolds. Signed proof, printed 1x 
COLORS. 


EDWARDS, S. ARLENT 


65. SopuHiz Arnouxtp. Mezzotint. 


After Lariviere. Dainty plate. Only a small number is- 
sued. Signed proof, printed 1x cotors. With margins. 
Framed. 


EDWARDS, S. ARLENT 


66. GenERAL Horatio Gates. Mezzotint. 


After G. Stuart. Private plate. One of the first plates 
printed 1x coxors by the artist and before the engraver 
had tinted the margins in printing. TEN ONLY WERE Is- 
SUED IN THIS STATE. Signed proof. Framed. 


EDWARDS, 8S. ARLENT 


67. GeneraL Horatio Gates. Mezzotint. 
Signed artist’s proof on India paper. Thirty impressions 
only were issued. Framed. 


EDWARDS, S. ARLENT 


68. Genera Horatio Gates. Mezzotint. 


First trial proof from the plate. 


EDWARDS, S. ARLENT 


69. GeneraAL NATHANAEL GREENE. Mezzotint. 


After C. W. Peale. Private plate. Signed proof, printed 
iv cotors. Margins. Framed. 


EDWARDS, S. ARLENT 


“0. GEnERAL NATHANAEL GREENE. Mezzotint. 


Signed proof on India paper. Thirty impressions only 
were issued in this state. Framed. 


Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 


71. Generat NATHANAEL GREENE. Mezzotint. 


First and Second trial proofs and impression from the 


finished plate. 


EDWARDS, S. ARLENT 


72. Maraeuis DE Larayette. Mezzotint. 


Private plate. Only a few impressions issued. Signed 
artist’s proof, printed 1x contors. Rare. 


EDWARDS, 8S. ARLENT 


73. JoHn Lawrence. Mezzotint. 


The subject was Attorney-General at the trial of Major 
André, Judge of the Supreme Court of New York, &c. 
Portrait from a miniature in the New York Historical 
Society. Twenty numbered impressions were printed in 

\ cotors. An unfinished trial proof, a finished proof, and 
a trial proof In coLtors,—all printed by Edwards. ‘Three 
prints in one frame. 


EDWARDS, S. ARLENT 


74. Jonun Trumpsurtyi. Mezzotint. 


After engraving by A. B. Durand. Printed mm coors 
and signed by Edwards. With one exception, the only 
plate not engraved by him which he has printed. Six 
IMPRESSIONS ONLY were made. 


EDWARDS, S. ARLENT 


75. Grorce WasutncTron. Mezzotint. 


ie diy Phx After R. E. Pine. First trial proof and a late trial proof. 
This plate was never finished nor published. (2) 
o/~ EDWARDS, S. ARLENT 


76. Georce Wasuincton. Mezzotint. 
After engraving by Valentine Green. Head and bust. 
Signed artist’s proof, on India paper. Thirty impres- 
sions only were printed in this state. Framed. 


Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 


77. Greorcr Wasuinctron. Mezzotint. 


After Valentine Green. First and Second trial proofs. 


EDWARDS, S. ARLENT 


78. GrorcE Wasuyincron. Mezzotint. 


After portrait by Savage. Head and bust. Private plate. 
VERY RICH IMPRESSION. Thirty proofs only were issued. 
Signed artist’s proof on India paper. Framed. 


EDWARDS, S. ARLENT 


79. Grorce Wasuineron. Mezzotint. 


From Trumbull’s painting in the New York City Hall. 
Whole length portrait, standing. Private plate. Thirty 
impressions only were issued in this state. Signed artist’s 
proof on India paper. Framed. 


EDWARDS, S. ARLENT 


80. Grorce WasHinetron. Mezzotint. 
After Trumbull. First trial proof. Later proof, with 
notes by the engraver. 


EDWARDS, S. ARLENT 


81. Grorcre WasHineton. Mezzotint. 
After Sharples. Trial proof, printed in coxors. 


EDWARDS, S. ARLENT 


82. Grorce Wasuineton. Mezzotint. 
After Sharples. Signed artist’s proof on India paper. 


EDWARDS, S. ARLENT 


83. Grorce Wasnineton. Mezzotint. 
After Sharples. Photograph from the original pastel by 
Sharples, the photograph touched by the artist for uge 
in engraving this plate. With early trial proof. 


Sale Wednesday Evening, March 22nd 


EDWARDS, S. ARLENT 
84. Mrs. Weis. Mezzotint. 
U Signed artist’s proof, printed on thin paper and tinted 
on the back by the artist,—his method previous: to} 


THIS SUBJECT IS EXTREMELY RARE. Framed. 


EDWARDS, S. ARLENT 
85. Mary Anperson. Mezzotint. 


| <2 e * . . . 
tide, Signed artist’s proof, printed in the same manner as item 
preceding. Framed. 


EDWARDS, S. ARLENT 


86. Tur Fortune Tretier. Mezzotint. 


After Sir Joshua Reynolds. Signed artist’s proof. Rarer. 
Framed. 


EDWARDS, S. ARLENT | 4 J 


87. Mrs. Strppons (After Lawrence)—Witi1am CowrpEr—OLivErR 
GotpsmirH. Mezzotints. 


Small ovals. India paper proofs. (3) 


HEDLEY FITTON 
FITTON, HEDLEY 


88. THe Aistes or CHartres. Etching. 


Signed artist’s proof. 


FITTON, HEDLEY 


89. Sarnt AnpReEw’s Castix, Scoruanp. Etching. 
Signed artist’s proof. 


FITTON, HEDLEY 


90. Rostyn Cuarert. Etching. 
Signed artist’s proof. 


(76 ‘ON 908) 
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INIYd WHOTOO HONAYVA 


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4 Pd 


Sale Wednesday Evening, March 22nd 


FITTON, HEDLEY 


91. Tour pe L’Hortocr, Tours. Etching. 
Signed artist’s proof. 
FITTON, HEDLEY 
92. SHrine or Epwarp THE Conressor, Westminster. Etch- 
ing. 
Signed artist’s proof. 
FITTON, HEDLEY 


| 93. ‘T'HE Monument, Lonpon. Etching. 
ms Signed artist’s proof. 


FRENCH COLOR PRINTING 


FRENCH COLOR PRINTS 


94. Lovis XIV. anp M’txe. La Vatirere. Line-engravings. 


After H. Vernet. A suite of eight plates in coors, 
representing episodes in the life of M/’lle. La Valliere 
from her introduction to Louis XIV. to her taking the 
veil. Engaved by Le Grand, Rouette and Champonnier, 
and 1x cotors by Le Vachez. 


(See Reproduction) 


FRENCH COLOR PRINT 


95. Louis XVIII. Aquatint. 


Proof before all letters, with full margins. Superb ex- 
ample of color-printing from several plates as practiced 


by the French School. Large folio. 


WILLIAM GARDINER 
Irish engraver. Born, Dublin, 1766; died, 1814. Was a pupil of Fran- 
cesco Bartolozzi. 
GARDINER, WILLIAM 
96. Tue Kentisu Grrt—TuHe STAFFORDSHIRE Girt. Stipple en- 
gravings. 
A charming pair. Framed. (2) 


Sale Wednesday Evening, March 22nd 


PIERRE GIFFART 


Born, Paris, 1623; admitted to the Académie, 1682. 


GIFFART, PIERRE 


97. Francoise Dausieny, Mareuisre p— Marnrenon.  Laine-en- 
graving. 


Fait par P. Giffart, Graveur du Roy. Folio. 


VALENTINE GREEN 


Born, Birmingham, 1739; died, London, 1813. 


GREEN, VALENTINE 


98. ExizABEtTH West anp Cuitp. Mezzotint. 


(Wife and child of the American artist). First state, 
with margins. Has slight crease. Folio. 
ie eal 


H. T. GREENHEAD 
Modern mezzotint engraver. 


GREENHEAD, H. T. 


99. Heap. Mezzotint. 
After George Morland. Signed proof, printed my conors. 


JACQUES GRIGNON 
French engraver. About 1680. 
GRIGNON, JACQUES 


100. Cares pE Vators. Line-engraving. 


After portrait by Mignard, with ornamental border, the 
latter engraved by Chauveau. 


Sale Wednesday Evening, March 22nd 


ELIZABETH GULLAND 


Modern mezzotint engraver. One of the few who print their own plates in 
colors. 


GULLAND, ELIZABETH 
101. Pamena. Mezzotint. 


After Sir Thomas Lawrence. Signed artist’s proof, 
printed 1n coors. 


GULLAND, ELIZABETH 


102. Lapy WaALpEGRAVE AND Cuiup. Mezzotint. 


After Sir Joshua Reynolds. Signed artist’s proof, printed 
IN COLORS. 


SIR FRANCIS SEYMOUR HADEN 


Born, 1818; died, 1910. Pounder and President of the Royal Society of 
Painter- Hi chers. 


HADEN, SIR FRANCIS SEYMOUR 


103. Porrrarr or Hapen. Etching. 
Etched by E. Lacretelle. 


HADEN, SIR FRANCIS SEYMOUR 


104. Tue Virtace Forp. Etching. 
Second state. Signed. 


WILLEM HONDIUS 


Born at The Hague, 1600. Son of Hendrick Hondius, the Younger. 


HONDIUS, WILLEM 
105. Wriit1am, Count or Nassav. 1680. Line-engraving. 


Not mentioned by Andresen. 
After I. Mytens. Fine, old impression, with small mar- 


gins. 


Sale Wednesday Evening, March 22nd 


HONDIUS, WILLEM 


106. Wiiu1aMm or Nassau. Line-engraving. 


Not mentioned by Andresen. 
After Van der Maes. Fine old impression on paper water- 
marked with “Coat of arms of the Archduke of Austria.” 


Small margin. . 


(See Reproduction) 


RICHARD HOUSTON 


Born, Dublin, 1722; died, London, 1775. One of the great mezzotinters. A 
rival of MacArdell at the outset of his career. 


HOUSTON, RICHARD 


107. Miss Murray. Mezzotint. 
Chaloner Smith II. No. 80. 


First state, with address of Bowles and Son. BriLtLiaAnt 
IMPREsSION of a pleasing subject. No margin on top and 
sides. Small folio. 


HOUSTON, RICHARD 


108. Carouine, Ducuess or Maritsorovucn, with Lapy CAroLine 
SepENCER. Mezzotint. 


Chaloner Smith, No. 76. 

Second state. Sir Joshua Reynolds pinxt. Pub. Lon- 
don, Robt. Sayre, July, 1769. Printed on a ribbed paper 
and slightly rubbed. With margins. Large folio. 


HOUSTON, RICHARD 


109. Pamezta. Mezzotint. 
G. Van der Myn pinxt. Printed for John Bowles and 


Son. Brivuant IMPRESSION WITH MARGIN. 


Ss ae eeS 


W/ILHELMUS NASSOVIUS, DOMINUS LECK# FTC. 

HOLLANDLE ATQ OCCIDENTALIS FRISLE RERUM MARITIMARUM 

PRAFECTUS VICARIUS, COHORTIY PEDITUM,IN EXERCITU CONFOQEDERAT 
BrEtci, DUX ETc. 

Coe nde Mes Rint of aft HH; dit Giit Lue aie 


Re re Pane RT 


edit Som igess ebieet 
. OTHE CERI ros 


WILLEM HONDIUS 
William of Nassau 
(See No. 106) 


Sale Wednesday Evening, March 22nd 


FRANS HUYS 5 


Worked in Antwerp, 1550-1570. 


HUYS, FRANS 


110. Mary I., QuEEN or Enerann. (“Bloody Mary”). Engrav- 
ing. 

Nagler Monongrammisten II., Nos. 2149 and 2150. 
Formerly attributed to F. Hogenberg. As, however, this 
engraver was never in London prior to 1555 and never 
worked for H. Cock, it is unlikely that this plate was en- 
graved by him. Fine Earty mpREssion on contemporary 
paper, watermarked ‘Small crowned shield with bugle and 
the letters C. F.” Small margin. Very rare. 


JOHN JACOBI 


Born, Vienna, 1733. Pupil of Dickinson. Produced good plates in Lon- 
don. 


JACOBI, JOHN 


111. Lorp Grorce Germain. Engraving. 


Chaloner Smith II. No. 3. 

After Romney. Pub. Noy. 1, 1780, by John Boydell. 
SUPERB FIRST STATE IMPRESSION With good margins. Lord 
Germain was the English Secretary of State during the 
American Revolution. 


JOHN JONES 
Mezzotint engraver. Born, London, about 1745; died there, 1797. Worked 
after Reynolds, Gainsborough, Raeburn, and other leading painters. 
JONES, JOHN 


112. Miss Cartey. Mezzotint. 


Chaloner Smith II. No. 12. . 
J. Roberts pinxt. Pub. April 2, 1777. First State. Small 
folio. 


Sale Wednesday Evening, March 22nd 


NICOLAS DE LARMESSIN 


Born, Paris, 1683; died there, 1755. 


LARMESSIN, NICOLAS DE 


113. Craupe Hattie. Line-engraving. 


Peint par Le Gros. Engraved by Larmessin for his re- 
ception by the Académie in 1730. Delicate impression, 
with margins. 


PIERRE ADRIEN LE BEAU 


Born, Paris, 1748; died, 18—. 


LE BEAU, PIERRE ADRIEN 


114. Les Fieurs pu Printemps—Les Dons pe L’Etr—Les Frouirs 
pE L’Auromnr—Les Riaueurs pE L’Htver. Line-en- 


gravings. 
After Lanaud. Set of 4 scenes with children. Small 
folios. (4) 


LOUIS SIMON LEMPREUR 


Born, Paris, 1728. Member of the Académie in 1776. 


LEMPREUR, LOUIS SIMON 


115. Les Consens Maternets. Line-engraving. 


After painting by P. A. Wille. Fine tmpression witTH 
FULL MARGINS. 


PIERRE LOMBART 


Born, Paris, 1613; died there, 1682. Pupil of Simon Vouet. 


LOMBART, PIERRE 


116. GasprieL CHasseBRAS DE LA Granp Matson. Line-engraving. 
Good impression with margins. 


(GZL ‘ON 228) 
SIIB 9p IUIVQ-271}ON op optisqy,’T 
NOAMAN SHIMVHO 


OED aa 


bowie tee rometeeree tin 
gE a 


Sale Wednesday Evening, March 22nd 


LOMBART, PIERRE 


117. Penetore Domina Herperr—Marearira pe Carte Comi- 
TissA. Line-engravings. 
After Van Dyck. Unusvatity coop pressions. (2) 


MARIAGE 


French roulette and stipple engraver. 


MARIAGE, 
118. Ganremepe. Stipple engraving. 


After Charpentier. Printed 1x conors. PERFECT IM- 
PRESSION WITH FULL MARGINS. Folio. 


ANTOINE MASSON 


Born near Orleans, 1636; died, Paris, 1700. One of the most eminent por- 
trait engravers. 


MASSON, ANTOINE 


119. Emanvet Txeopostus p—E ta Tour D’Auverenr.  Line- 
engraving. 
Robert Dumesnil, No. 14. 
N. Mignard pinxt. Ant. Masson sculpebat 1665. First 
state. Impression oF EXTRAORDINARY BRILLIANCY. 


MASSON, ANTOINE 
120. Marin, Puysician. Line-engraving. — 
3 Robert Dumesnil, No. 24 (“L’un des chefs d’oeuvre du 
maitre’’). 
-P. Mignard Romanus pinxt. Ant. Masson sculpebat 
1665. First state. Sprenpip impression, with slight 
margins. 


MASSON, ANTOINE 
121. Freperic Guittaume, Envecrevr pE Branpensoure. Line- 
engraving. 
Robert Dumesnil, No. 50. 
Ant. Masson delineat et sculpsit 1683. The only state. 


Sale Wednesday Evening, March 22nd 


MASSON, ANTOINE 


122. Marie pE Lorraine, Ducuessrt pE Guise. Line-engraving. 


Robert Dumesnil, No. 52. 
Peter Mignard pinxit. Ant. Masson delineavit et sculp- 
sit Parisiis 1684. Fifth state. 


MASSON, ANTOINE 


123. Caro Parix. Doct. Men. Par. Line-engraving. 


Robert Dumesnil, No. 60. 
With verse underneath. 


ARMAND MATHEY 
MATHEY, ARMAND 


124. Kine Cuaries THE First. Etching. 


Signed artist’s proof on Japanese paper. Only a limited 
issue. From the Hampton L. Carson Collection. 


CHARLES MERYON 


Born, Paris, 1821; died there, 1868. Hamerton calls him “one of the 
greatest and most original artists who have ever appeared in Europe.” 


MERYON, CHARLES 


125. L’Assip— p—E Norre-Dame pr Paris. Painter-etching. 
Delteil, No. 38. 
Fifth state. Plate has been retouched and the date follow- 
ing the word “Sculp” burnished out. Fine mmpREssIon 
on India paper, with slight stain in sky above the towers 
and small abrasion in sky near right corner. FuLi mar- 
GINS. 


(See Reproduction) 


MERYON, CHARLES 


126. L’Ancien Louvre. Painter-etching. 

. Delteil, No. 538. 
After painting by Zeeman. Fifth state. Plate is finished, 
but without lettering, “Tirage Calcographie du Louvre,” 
Slight crease in sky. Fut marerns. 


GEORGE MORLAND 
Fruits of Industry and Economy 
(See No. 129) 


Sale Wednesday Evening, March 22nd 


MERYON, CHARLES 


127. Rue pes Torres A Bourcrs. Painter-etching. 


Delteil, No. 55. 
Sixth state with the title only. Fun MarGINs. 


W. MONK 
Contemporary etcher. 
MONK, W. 
128. Wart Srreet, New Yor. Etching. 
Signed artist’s proof. 


GEORGE MORLAND 


Born, London, 1764; died there, 1804. 


MORLAND, GEORGE 
129. Tue Frurrs or Earty Inpustry anp Orconomy. Stipple 
engraving. 
G. Morland pinxt. Darcis sculp. With text beneath. 
Printed in coors, and an EXCEPTIONALLY FINE EXAMPLE 
of the artist’s work. Top and side margins cut. close. 
RarE AND VALUABLE. Folio. Framed. 


(See Reproduction) 


MORLAND, GEORGE 
180. Eventnc, or tHE Post Boy’s Return. Stipple engraving. 
G. Morland pinx. D. Orme sculpt. London, Pub. Jan., 
1796 by Orme. Printed_ny cotors. An old print, but 
much of the color is by hand:harge folio. 


JOANNES MULLER 


MULLER, JOANNES 
131. Curistranus Quartus Der Gratia Daniar Norwectag, &c. 
Line-engraving. 
Supers tmpresston of this 17th Century engraving. 
Rare AND VALUABLE. Folio. 


(See Frontispiece) 


Sale Wednesday Evening, March 22nd 


JOHN MURPHY 


Born in Ireland about 1748; died about 1820. Practiced in London as an 
engraver, both in stipple and mezzotint. 


MURPHY, JOHN 


1382. THe HonovurasiE Mr. Justicr Witson. 
Chaloner Smith III. No. 19. 


G. Romney pinxt. J. Murphy sculp. 1792. Title in open 
letters Second state of three. 


ROBERT NANTEUIL 


Born, Rheims, 1630; died, Paris, 1678. ‘The most eminent of French 
portrait engravers. 


NANTEUIL, ROBERT 


133. CarpinaL ANTOINE Barperini. Line-engraving. 2 
Robert Dumesnil, No. 30. 


Good impression with margins. The only state. 


NANTEUIL, ROBERT 


134. Beaumanoir DE Lavarprin. Line-engraving. 
Robert Dumesnil, No. 34. 
First state. SprenpiIp mmpREssIon, with margin. 


(See Reproduction) 


NANTEUIL, ROBERT 


135. Beaumanorir DE Lavarpin. Line-engraving. 
Robert Dumesnil, No. 35. 
With leaf-border, and first state with margin. 


NANTEUIL, ROBERT 


136. Jean Baptiste Coxrsperr, ComprrotuER GENERAL OF 
Finance. Line-engraving. 
Robert Dumesnil, IV. No. 73. 
From life. The upper part of the Thesis of Louis Becha- 
meil. Only state. The portrait is fine and in good con- 
dition but the ornamental work is slightly rubbed and 


full of small worm-holes. Closely trimmed and a few 
tears repaired. 


ROBERT NANTEUIL 
Beaumanoir De Lavardin 


(See No. 134) 


Sale Wednesday Evening, March 22nd 


NANTEUIL, ROBERT 


137. I. L. De Nesmonp. Line-engraving. 
Robert Dumesnil, No. 201. 


NANTEUIL, ROBERT 
188. Le R. P. Pierre Latemont, CHancevier vE L’Université 
pE Paris. Line-engraving. 


Nanteuil faciebat 1678. Clear impression with margins. 
Quarto. 


NEW YORK CITY VIEW 


NEW YORK CITY VIEW 


139. Lyset View or New York Ciry (on Map)—‘‘Niew Amster- 


dam, op t Eylant Manhattans,’”’ measuring 284 inches x 
1214 inches, and inset in lower right corner. Map is 
entitled, ‘‘Noviu Belgii Novaeque Angliae nec non partis 
Virginiae Tabula multis in locis emendata per Nicolaum 
Visscher,” and measures 22 inches x 188% inches. Small 
repair on left margin. Matted. N. P.- [circa 1650]. 
Second state of the Rarr VisscHER Mar ~with the early- 
engraved View or New York Ciry. 


JEAN OUVRIER 


French engraver. Born, 1725; died, 1754. 


OUVRIER, JEAN 


140. Les Deux ConrivenTEs. Engraving. 


F. Boucher pinx. Genuine impression of a very desirable 
print usually found as a reprint. 


PETIT 


French engraver. Pupil of Chereau. 


PETIT, 
141. Marie, Princessr pE Potocne. Engraving. 
Peint par De la Tour. Small folio. 


Sale Wednesday Evening, March 22nd 


N. B. DE POILLY 
POILLY, N. B. DE 
142. Joaaues Vincent. Engraving. 


Imprimeur Libraire. With margins. Folio. 


CRISPIN VAN DEN QUEBOORN 


Dutch engraver. Born about 1600. 


QUEBOORN, CRISPIN VAN DEN 


143. D. Maria Seriisstmut Macnar BriranniazE, &c.—GutIiEt- 
mus D. G. Princers Aravstonensium, &c. Line- 
gravings. 


G. Honthorst pinx. Pair. Folio. (2) 
(See Reproductions) 


REMBRANDT VAN RYN 


Born, Leyden, 1607; died, Amsterdam, 1669, 


REMBRANDT VAN RYN. 


144. Tue Ancet Departinc From THE Famity or Tobsias. 
Painter-etching. 
Bartsch, No. 48. Hind, No. 185. 
First state. The diagonal shading on the hairdress of 
Tobit’s wife is clearly printed and before the slight paral- 
lel lines of shading near the border top left corner. Frye 
IMPRESSION with small margin. 


From the Henry Danby Seymour Collection. 


REMBRANDT VAN RYN. 


145. Curist Berorr Pruare. Painter-etching. 


Bartsch, No. 77. Hind, No. 148. 

The large plate. Fourth state. The shoulder of the man 
next to Pilate has been removed and the face of the bald 
man thrusting himself forward shaded with an additional 
set of diagonal lines Very coop impression with small 
defects at the two upper and right-hand lower corners. 
Laid down for no apparent reason. Very small margin. 


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Sale Wednesday Evening, March 22nd 


SAMUEL WILLIAM REYNOLDS 
Mezzotint engraver. Born in England, 1773; died at Bayswater, 1835. 
Pupil of C. H. Hodges. 
REYNOLDS, SAMUEL WILLIAM 
146. ‘THe Lanp Storm. Mezzotint. 


After Morland. <A night scene with coach. Supers m- 
PRESSION. ‘This print has been pronounced to be an en- 
graver’s proof by one of the best London experts. Its 
quality bears out the assertion. Without margins. 


WILLIAM WYNNE RYLAND 


Born, London, 1732; died there, 1783. Pupil of Ravenet, Boucher, and 
Le. Bas. 


’ RYLAND, WILLIAM WYNNE 


147. Domestic Emptorment. Stipple engraving. 
Published in 1775 by the proprietor. Oval ry co.ors. 
RakE AND BEUTIFUL print. The dresses have been colored 
by hand; faces are printed In coor. 


RYLAND, WILLIAM WYNNE 
148. Venus Recina, &c. Stipple engraving. 
After Angelica Kauffmann. Circular. Original impres- 
sion. 


Framed. 


From Lord Northwick’s Collection. 


JOHN SARTAIN 


American engraver. Born, London, 1808; died, Philadelphia, 1897. Came 
to the United States in 1830 and established an extensive engraving and 
publishing business in the city in which he died. He was the first to in- 
troduce mezzotint engraving into the United States. 


SARTAIN, JOHN 


149. Wiriiam Penn. Mezzotint. 
Impression printed 1x cotors from the plate by Sartain. 


Sale Wednesday Evening, March 22nd 


F. SARTORIUS 


A celebrated painter of sporting subjects in the EKighteenth century. 


SARTORIUS, F. 


150. Corron Decks or STANFIELD IN SurFoLK. Mezzotint. 


Robert Lowrie fecit. F.-Sartorius pinxt. A sporting 
subject In EXCEPTIONALLY BRILLIANT IMPRESSION. Small 
folio. 


GEORGES FREDERIC SCHMIDT 


SCHMIDT, GEORGES FREDERIC 


151. Prerre Mienarp. Line-engraving. 


Peint par son ami Hyacinthe Rigaud en 1691. Recep- 
tion plate for the Académie. Margins cut. 


JOHN SMITH 


The most famous early English mezzotint engraver. Born, London, 1654; 
died there, 1719. Pupil of Tillet, Becket and Van der Vaart. 


SMITH, JOHN 


152. Joun SmirH. Mezzotint. 


Chaloner Smith III. No. 237. 
After Sir G. Kneller. Second state. 


From the E. B. Holden Collection. 


SMITH, JOHN 


1538. Her Royvat Hicuness Princess or DENMARK. 


After Sir G. Kneller. Good impression. Inlaid; Awnwa. 
uxor. Francisc1 Kymesman. G. Schalken pinxt. (2) 


Zoe Se : — 
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: DEL MVS DG PRINCEPS ARAVSIONENSIVM , OMES NASSAVLA Ke 
: SIGNATVS FED ERATI BELGIT TERRA MARIOVE GVBERNATOR. CELSISSI MI 
: : PR INCIPIS ER. HENRICT AVR. PRINCIPIS FILIVS VNIGENITVSs. : : 
swine = Qui prius umbellem thalamas induxit amorem , Spirat ayos patruofy Duces generofi loan ao 
. Cum data Nassovr0 Regia Sponfa fart, €t Patrem ante annos, noster Ice, refers = 
bee cernatur hes pfs Princeps cataghrachis WL arms, Porte cliam nove per Batavos tbr conditer Alb 
€t pairys crefeens morius lla quatit. Romanofy, ex Te 1 uliadafg i 
‘ Cdlisiens Semi GVILTET MO. fiir bu dedcet—- b- rrvercater ifort dee Waribergen Y : : C ee 


Sa Wabecoes 
Serpe 


CRISPIN VAN DEN QUEBOORN 
Guilielmus Princeps Aravsionensium, &c. 


(See No. 143) 


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Sale Wednesday Evening, March 22nd 


JOHN RAPHAEL SMITH 


Born, Derby, 1752; died, Doncaster, 1812. <A very considerable number 
of this artist’s prints are from his own designs and _ pictures. 


SMITH, JOHN RAPHAEL 
154. A Carumri Francesco Barrotozzt G. B. Crertant. Mezzo- 
tint. 


Chaloner Smith III. No. 30. 
Published in 1778 by John Boydell. Second state. 


From the Royal Berlin Gallery. 


SMITH, JOHN RAPHAEL 
155. James Hearn, Hisrorican Encraver to tHE Kinc. Mezzo- 
tint: 


Chaloner Smith III. No. 79. 
Painted by L. F. Abbott. Engraved by J. R. Smith. Sec- 
ond state. With slight crease. 


[SMITH, JOHN RAPHAEL] 


156. Tur Creputovus Lapy anp THE AsTROLOGER. Mezzotint. 


Painted by J. R. Smith. Engraved by P. Simon. Brav- 
TIFUL IMPRESSION of a very pleasing subject printed 1n 
coLtors. Small margins which, however, contain the names 
of both the printer and engraver. 

(See Reproduction) 


F. G. STEVENSON 


Contemporary mezzotinter. 


STEVENSON, F. G. 


157. Maponna or THE CHarr. Mezzotint. 


After Raphael. Signed artist’s proof. Impression un- 
usually well-printed ry coors. 


STEVENSON, F. G. 
158. Miss Davenrvort. Mezzotint. 
After Romney. ~ Signed proof, printed ry cotors. 


Sale Wednesday Evening, March 22nd 


STEVENSON, F. G. 


159. JACQUELINE DE Bourcoyrne. Mezzotint. 


After Jan de Mobuse. Signed proof, printed ry cotors. 


STEVENSON, F. G. 


160. La Bertie Frronirere. Mezzotint. 


After Leonardo da Vinci. Signed proof, printed in 
COLORS. 


ROBERT STEWART 


English mezzotint engraver. His portraits are all small and are believed 
to have been made from his own drawings. 


STEWART, ROBERT 


161. ApmiraL Keprer. Mezzotint. 


Unknown to Chaloner Smith. 
(Prominent during the American Revolution). Oval 
scratch-letter proof of EXTREME BRILLIANCY. 


STEWART, ROBERT 


162. Lorp CampEn—Lorp Tuuritow. Mezzotints. 
Chaloner Smith III. Nos. 1 and 138. 
Rich scratch-letter impressions. (2:) 


JANE THOMPSON 


Pupil of John Raphael Smith. 


THOMPSON, JANE 


163. Miss THompson. Mezzotint. 
Chaloner Smith III. No. 2. 
Painted by J. R. Smith. Engraved by Jane Thompson, 
who is said to have engraved but two plates. Fryer mwpres- 
SION WITH FULL MARGINS. Rare. 


[JOHN RAPHAEL SMITH] 
The Credulous Lady and the Astrologer 
(See No. 156) 


Sale Wednesday Evening, March 22nd 


RICHARD TOMPSON 


A very early mezzotint engraver. Died, 1693. 


TOMPSON, RICHARD 


164. Mapame ELLen Gwinn anv HER Two Sons. Mezzotint. 


Chaloner Smith III. No. 21. 
P. Lely pinxit. R. Tompson excudit. The only state. 
Rare. 


From the Robert Hoe Collection. 


VAUGHAN TROWBRIDGE 


American etcher. Prints his plates in colors by a method of his own. 


TROWBRIDGE, VAUGHAN 
165. Venice, 1905. Etching. 


Artist’s proof, printed 1x cotors. One of the earliest ex- 
amples of the work of Trowbridge, and most difficult to 
obtain. 


TROWBRIDGE, VAUGHAN 


166. Versaities, 1910. Etching. 


Artist’s proof, printed 1x coxors. No. 18 of fifty-five 
impressions. An interesting subject printed in the artist’s 
best style. 


TROWBRIDGE, VAUGHAN 


167. CarHEepRAL aT Quimper. Etching. 


Artist’s proof, printed 1x cotors. Framed. 


TROWBRIDGE, VAUGHAN 


168. Saint Trorieur, Artes. Etching. 
Signed proof. Printed by the artist. 


TROWBRIDGE, VAUGHAN 


169. Cour D’Atsana, Roven. Etching. 
Signed proof. Printed by the artist. No. 8 of only twen- 
ty-four impressions. Rare. 


Sale Wednesday Evening, March 22nd 


CHARLES TURNER 


Born, Woodstock, 1774; died there, 1857. 


TURNER, CHARLES 


170. Sir Cuarites Cockspurn. Mezzotint. 


Painted by J. J. Halls. Engraved by C. Turner. Pub. 
Mar. 1, 1819. Showing Washington burning. Important 
item of Americana. SpLENDID IMPRESSION WITH MARGINS. 
Large folio. 


(See Reproduction) 


TURNER, CHARLES 


171. Str SoutpEer Lawrence. Mezzotint. 


(One of the Justices of His Majesty’s Court of King’s 
Bench). J. Hoppner R. A. pinx. Supers impression in 
open letter state with FULL MARGINS. 


P. VANDERBANCK 
VANDERBANCK, P. 


172. Wintutam, Duxe or Hamittron, Marauis or Cuiipspae, &c. 
Line-engraving. 
G. Kneller pinx. Head and bust with border. Has been 
backed, but is a sPLENDID IMPRESSION WITHOUT DEFECTS. 
Margins. 


(See Reproduction) 


PIETER VAN GUNST 


Engraver at Amsterdam. Born, 1667; died, 1724. 


VAN GUNST, PIETER 
173. Caroxius III., D. G. Hispan. er Inpicer, Rex. Line-engrav- 
ing. 
F. Stanpart ad Vivam pinxt. Folio. 


CHARLES TURNER 
Sir Charles Cockburn 
(See No. 170) 


Sale Wednesday Evening, March 22nd 


JAN VAN SOMER 
Was working about the year 1675. 


VAN SOMER, JAN 


174. Maria THeresia, FrancisaE Recina. Mezzotint. 


J. Van Somer fecit, Amsterdami. Head and bust. AN 
EXTRAORDINARY PRINT. Large folio. 


PIETER VAN SOMPEL 


Born about 1600 at Amsterdam. 


VAN SOMPEL, PIETER 


175. Marearira Coniux Gastronis, &c. Engraving. 


(One of the Countesses of Nassau). After Van Dyck, 
with decorative floral border. Early state with margins. 


Folio. 


CORNELIUS VERMEULEN (The Elder) 


Flemish engraver. Born, Antwerp, 1644; died, 1702. 


VERMEULEN, CORNELIUS (The Elder) 


176. Puiturrvs Rex Hispantag, &c. Engraving. 


Ad Vivam pinxit. 


WILLIAM WALKER 


Scotch engraver in mezzotint and stipple. Born, Edinburgh, 1791; died, 
London, 1867. Engraved the famous portrait of Sir Walter Scott. 


WALKER, WILLIAM 


177. Lorp Satyr Leonarps (SuepEN). Mezzotint. 
After painting by Eddis. Proof before all letters on In- 
dia paper and of wonpeRFuL qauaLity. This impression 
came from the direct descendants of the engraver. Large 
folio. 


Sale Wednesday Evening, March 22nd 


WALKER, WILLIAM 


178. Lorp Lynpuurst. Mezzotint. 
Sir William C. Ross pinx. Pub. by the engraver, Lon- 
don, 1845. Proof before letters on India paper; Also, an 
engraver’s TOUCHED PROOF. (2) 
From the Walker Collection. _ 


WILLIAM WARD 


Born, London, 1766; died there, 1826. The most distinguished pupil of 
John Raphael Smith. 


WARD, WILLIAM 


179. THe Farmer’s Stasxte. Mezzotint. 
Painted by G. Morland. Engraved by W. Ward. J. R. 
Smith Published 1795. OrtcrnaL mrpPREssION In open- 
letter state, with ruLi marcins, of a print usually found 
as a reprint. Fine anp RARE. Framed. 


JAMES WATSON 


Born in Ireland, 1740; died, London, 1790. 


WATSON, JAMES 


180. Epmunp Burke. Mezzotint. 
Chaloner Smith IV. No. 20. 
Sir Joshua Reynolds pinxit. James Watson fecit. Pub. 
London 1771. Third state (of 4), margins trimmed. 
OrIGINAL IMPRESSION of a rare and desirable portrait 
usually found as a modern reprint. 


WATSON, JAMES 

181. Miss Beatson. Mezzotint. 
Chaloner Smith IV. No. 8. 
C. Read pinx. ._ Second state (of 8). BritiiantT IMPRES- 
ston. (13814 ins. x 1114 ins.). This, and the three fol- 
lowing items are from an important collection formed one 
hundred years ago. The prints are of UNUSUAL QUALITY, 
not having been handled to any great extent. Margins of 
all have been trimmed. 


Wilkeng Dio Wi 
lididale 6 rich Tran Lure gee ee as Wd lord che. a ES 

( lolmont Machanshare Dar mes O™hortdeughy tah 5 A the 

cebte One der pth arte sp Neretatle ie Kaper ef Hes ee teed Py Ly oo 0 AC. Malar: Ui COG é 

(gai fete 3 Lord Was, Oe Kigdeae t feollandon é : 

Ard tehico nk Besidrat of be, (conch of \ vorlands & 


/ posters mest ben’ deity Couse 
CEC Lanvabontolie formed rnerecaiai te 


TTT 


SUITE ets intgst ieee 7 


iil nm min r Tr ony 


> 


P. VANDERBANCK 
William, Duke of Hamilton 
(See No. 172) 


Sale Wednesday Evening, March 22nd 


WATSON, JAMES 


» 182. Carouina Matitpa or Denmark. Mezzotint. 


( / Chaloner Smith IV. 
Xx Second state. BriLLIANrT IMPRESSION. (1234 ins. x 9% 


oe NS. ins.). 
x 


WATSON, JAMES | 
183. Miss Cunuirre. Mezzotint. 


Chaloner Smith IV. No. 389. 
F. Coates pinx. Portrait of child with dog. Second 
state (of 3). (114, ins. x 9 ins.) 


“WATSON, JAMES 


184. Tue Rr. Honsie. Maria Constantinia, Countess oF SuF- 
FoLK. Mezzotint. 


Chaloner Smith IV. No. 138. 
\ C. Read pinx. BerautiruL mpression. Second state. 
| y (13% ins. x 11 ins.). 


[” 
WATSON, JAMES 
an Ducuess oF MANCHESTER AND son. Mezzotint. 
Chaloner Smith IV. No. 97. 


a N After Sir Joshua Reynolds. Second state. Large folio. 


WATSON, JAMES 
186. Frances, Ducuess or Ricumonp. Mezzotint. 


Chaloner Smith IV. No. 5. Plate No. 3. 
Painted by Sir Peter Lely. 


TSON, JAMES 
187. Exizasetu, Countess oF NorTHUMBERLAND. Mezzotint. 


Chaloner Smith IV. No. 5. Plate No. 4. 
Painted by Sir Peter Lely. Pub. Jan. 1. Proof impres- 


sion. Backed. _. 


Sale Wednesday Evening, March 22nd 


WATSON, JAMES 


188. Ameuia, Countess oF Ossory. Mezzotint. 


Chaloner Smith IV. No. 5. Plate No. 5. 
i , Painted by Sir Peter Lely. 
js- 


/ 5 : - 
FRANCIS WHEATLEY 
English landscape-painter. Born, London, 1747; died, 1801. Was a mem- 
ber of the Royal Academy. 
WHEATLEY, FRANCIS 
1€9. Cries or Lonpon. (Plate 7). 
“Fresh-Gathered Peas.” Engraved by G. Vendramini. 
Pub. Colnaghi 1795. Rico, EARLY IMPRESSION. 


WHEATLEY, FRANCIS 
190. Crirs or Lonpon. (The entire 18 plates). 
Comprise—Primroses; Milk Below Maids; Sweet China 
Oranges; Matches; New Mackerel; Knives, Scissors to 
Grind; Fresh-Gathered Peas; Duke Cherries; Scarlet 
Strawberries; Chairs to Mend; New Love-Song; Hot . 
Spiced Gingerbread; Turnips and Carrots. Engraved 


by Thomas G. Appleton. Att signed artist’s proofs. 
(13) 


AMERICAN ART ASSOCIATION, « = 


MANAGERS: 


THOMAS E. KIRBY, bey 


AUCTIONEER. 


CLAP 37-03 


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